Jasper Francis Cropsey (18 February 1823 to 22 June 1900), apparently called ‘Frank’, was an American landscape artist and first-generation member of the Hudson River School, so you can expect amazing paintings of great detail. But first and foremost, he was an architect, and if you take the time to study his paintings you will find that his landscapes speak of his love for well ordered, clear forms.
We chose his 1870 painting ‘Greenwood Lake‘ as our focus of attention for this post, an interstate lake straddling the border of New York and New Jersey and the place where Cropsey met his wife Maria Cooley some time after 1843. Today, the painting as seen below is displayed at the Museo Nacional Thyssen-Bornemisza in the Spanish capital of Madrid. Incidentally, this one is by no means his only painting of Greenwood Lake, and not all are exhibited overseas: One of them can be admired at the Smithsonian American Art Museum in Washington, D.C., for example. For a larger rendering, please click on the picture.
In a way, it would have been nice to see the landscape around Greenwood Lake in the spring, but for someone famous for his lavish use of colors, fall surely is most attractive. So enjoy this somewhat untimely scenery (unless you are in the Southern Hemisphere – for you it should be quite timely!), the beautiful view across Greenwood Lake, and the moment of quiet contentment the contemplation of a painting can afford. Or imagine living in the fisherman’s hut along the lake shore as depicted below, and sitting on a bench next to your front door of an evening, enjoying a quiet sunset.
Here’s one little detail about Frank Cropsey’s life that caught our girls’ eye: He lies buried in Sleepy Hollow Cemetery. I guess the fall landscape fits after all.
The featured image shows a self-portrait Cropsey included in his ‘The Narrows from Staten Island‘ painting from 1868.